25. My Old School

I went to a catholic, all-boys school in North London. We often had fun, but it meant no regular contact with females for me, from the age of 11 until I left at 17. What a disaster! Right through puberty. As if that wasn’t weird enough, I’ve only seen two or three of my old school friends since I left. But I didn’t make any effort to meet up with anybody and neither did they. On the other hand, we had no telephone while I lived at home. My parents installed one only after I had moved out, so no easy way to keep in touch. The kids at school were also spread all over North London as it was the only school of its kind. We mostly didn’t live close to each other and rarely met outside school.

The head teacher was a large priest and several of the regular teachers were also priests. A couple of them were even pretty good. One of them was rumoured to be a pedofile, but he was old and thankfully I had no personal experience of him. I have fond memories of being beaten by the head teacher with a thick leather strap on the backside on a few occasions for minor offences. I may not have been St. Philip but was not a bad kid either. I was also threatened with the police by him one time when I was caught with a golf ball that I had found in the street. I was only 11 or 12 at the time and I was scared to death. Apparently, balls were regularly stolen from the local driving-range. But not by me!

Some of the other teachers were quite extreme in the violence department too. Names like Levy, O’Shea, Wilkins and Linnane spring to mind and they all had their “specialities”. Linnane liked lifting us by the short hair on the side of our heads, Levy used the edge of a ruler to hit boys’ fingers and Wilkins favoured a gym shoe on the backside. All of it painful. O’Shea was big, angry and frightening. It makes me chuckle now to think about it and it was comical in a way. 15 years after I left school I told my father about those punishments and he couldn’t believe it. If I’d told him at the time, he said he would have gone to the school and punched their lights out! He might have been able to sort the short Wilkins’ out, but O’Shea or Linnane? Probably not.

Why did I go to that school? Well, it was a “grammar” school, with focus only on academic subjects. In which I frankly had little interest. My focus was on guitars from the age of 10 and I cared little for physics, chemistry and mathematics. The alternative “comprehensive” school was closer to home, more vocational, and mixed (boys and girls!). I’ve often thought that would have been better for me personally, but the grammar school was what was expected of me. And what’s more important than making your parents happy? Doh! On the other hand, I may have been even more bored going to the comprehensive. 

In my final year at school I would arrive at 9:00 am, register in class, then often leave to do something else. Once I even climbed out of the toilet window by the chemistry lab to escape. I ran up the hill to the street with my school bag hiding my face from the teacher. But the consequence of not doing any work during the school year was that I was not permitted to sit the exams in most subjects. And if you don’t sit the exam, or fail in every subject, you can end up leaving school with nothing. As if you’d had no schooling at all. After repeating my final year, I had passes in English Literature, English Language and Art. That was it. All other subjects, it was as if I’d done nothing for seven years. But I really didn’t care, and I suppose I was a bad boy that final year. Strangely enough, though I left with almost no qualifications, a lot of what I was forced to learn stayed with me. Both math and chemistry have been useful. And French!

“My Old School” is from the Steely Dan album Countdown to Ecstacy. Killer guitar work from Jeff “Skunk” Baxter and this is one I often go back to.

25. Min Gamla Skola

Jag gick i en katolsk pojkskola i norra London. Vi hade ofta roligt, men det innebar ingen regelbunden kontakt med tjejer för mig, från 11 års ålder tills jag slutade skolan vid 17. Vilken katastrof! Rakt genom puberteten. Som om inte det var nog, har jag bara sett två eller tre av mina gamla skolvänner sedan dess. Men jag gjorde ingen ansträngning för att träffa någon och inte dom heller. Å andra sidan hade vi ingen telefon medan jag bodde hemma. Mina föräldrar installerade en telefon först efter att jag hade flyttat ut. Barnen i skolan var även utspridda över hela norra London, eftersom det var den enda skolan i sitt slag där. Vi levde inte nära varandra och träffades sällan utanför skolan.

Rektorn var en fet präst och flera av de vanliga lärarna var också präster. Ett par av dem var även ganska bra lärare. Och bara en av dem hade rykte om sig av att vara pedofil, men han var gammal och tack och lov hade jag ingen personlig erfarenhet av honom. Rektorn var rätt brutal, och jag har fina minnen av att bli slagen med en tjock läderrem på baksidan vid några tillfällen för mindre överträdelser. Jag kanske inte var Sankte Philip men jag var heller ingen värsting. En gång hotade rektorn att göra en polisanmälan när jag upptäcktes med en golfboll, som jag hade hittat på gatan. Jag var bara 11 eller 12 år då och blev ordentligt skrämd. Tydligen stals bollar regelbundet från den lokala golfbanan. Men inte av mig!

Några av de andra lärarna var också ganska extrema med sina våldsutövningar. Namnen som Levy, O’Shea, Wilkins och Linnane alla hade sina “specialiteter”. Linnane tyckte om att lyfta oss med det korta håret på sidan av våra huvuden, Levy använde kanten på en linjal för att slå oss på fingrarna och Wilkins föredrog en gymnastiksko på baksidan. Allt var smärtsamt. O’Shea var stor, arg och skrämmande. Det får mig att skratta nu när jag tänker på det och det var komiskt på nåt sätt. 15 år efter att jag lämnade skolan berättade jag för min far om dessa straff och han var ganska chockad. Om jag hade berättat för honom då sa han att han skulle ha gått till skolan och slagit lärarna själv! Han kanske hade klarat sig mot den korta Wilkins, men O’Shea eller Linnane? Nja.

Varför gick jag till den skolan? Jo, det var en så kallad “grammar” skola, med fokus bara på akademiska ämnen. Som jag hade väldigt lite intresse av. Mitt fokus var på gitarrer från 10 års ålder och jag brydde mig mycket lite om fysik, kemi och matematik. Den alternativa “comprehensive” skolan var närmare hemma, mer yrkesmässig och blandad (både pojkar och tjejer!). Jag har ofta tänkt att det skulle ha varit bättre för mig personligen, men jag förväntades går på grammar skolan. Och vad är viktigare än att göra sina föräldrar glada? Doh!

Under mitt sista år i skolan dök jag upp kl. 9:00, registrerade mig i klassen, sedan stack jag ofta för att göra något annat. En gång klättrade jag ut genom toalettfönstret bredvid kemilaboratoriet för att fly. Jag sprang uppför backen till gatan med min skolväska som gömde mitt ansikte från läraren. Men konsekvensen av att inte göra något arbete under skolåret var att jag inte fick sitta proven i de flesta ämnen. Och om du inte får ta provet eller misslyckas i varje ämne, kan du sluta skolan med inget betyg alls. Som om du inte hade gått i skola alls. Efter att ha upprepat mitt sista år fick jag certifikat i engelsk litteratur, engelska språket och konst. Det var allt. Alla andra ämnen, det var som om jag inte hade gjort något på sju år. Men jag brydde mig faktiskt inte, och jag antar att jag var en värsting det sista året. Konstigt nog, trots att jag slutade med nästan inga certifikat, mycket av det jag var tvungen att lära mig fastnade. Både matematik och kemi har varit användbara. Engelskan! Och franskan!

“My Old School” är från Steely Dan-albumet Countdown to Ecstacy. Grymt gitarrarbete från Jeff “Skunk” Baxter och den här låten går jag ofta tillbaka till.

24. Cherry Red

Me in the beach buggy, with Paul holding my beautiful Gibson EB3 bass.

My mate Paul and I headed for the west of England in his blue, short-base, 1200 cc, VW beach buggy. Very lightweight and very speedy! We looked forward to a two week summer holiday in St. Ives. A tiny, charming fishing village on Cornwall’s north coast.  I was still 9 years away from getting a driver’s license, so as always, Paul was in the driver’s seat. We travelled through the night, westward from London and crossed the country on empty, unlit roads. There was no motorway.

The only drama we encountered on the journey was passing fields of corn in a soft-top car with no windows. We captured thousands of tiny flies which landed in drifts in the back of the buggy. These we scooped out in handfuls. And on the radio, one item of interest showed up in the middle of the night: Jan Akkerman’s high-velocity guitar playing on “Hocus Pocus”, by the Dutch band Focus. We’d never before heard anything like that.

At that time St. Ives was known for being a hippy-magnet and we naively wanted to be a part of it. I imagined conversations on peace and love and on music and I fantasized about meeting pretty hippy girls. But in reality there was none of that. In fact I don’t think we spoke to anybody apart from each other during those two weeks. The only people I saw that might have been hippies sat tightly together on the pier in St. Ives doing nothing, mostly looking bored. Cool! And there were never more than 20 of them.

The very first pub we visited in the center of the village was packed with people. Mostly men of course. We queued for 15 minutes to buy a couple of pints, but when we reached the bar we were immediately asked to leave. “We don’t serve longhairs in here!” On the way out we saw a hand-written sign saying the same thing, which we’d missed. We were unlucky choosing that dump as our first stop, but we found places that could live with the horror of long hair. Apart from warming soup outside our tent and getting sunburnt, the most memorable event of those two weeks was a concert with bluesy power trio The Groundhogs.

We’d been listening to The Groundhogs for a while, since their third album Thank Christ For The Bomb came out. That album is now mistakenly called “Thanks Christ…” on Spotify. Very naughty! They had a lot of success, especially with their fourth album, Split, which includes the muscular “Cherry Red”. Tony (TS) McPhee was the main man; guitarist, singer and songwriter. The TS is short for Tough Shit (really), and that’s no exaggeration if you check out “Cherry Red”.

Tony was backed by Pete Cruickshank on bass and Ken Pustelnik on drums at that time, but there were very many personnel changes over the years. As late as 2011 Cruickshank and Pustelnik still played in The Groundhogs Rhythm Section and McPhee was active live until 2014, despite having had a stroke 5 years previously. Still well worth a listen!

23. From Langley Park to Memphis

This is not about Langley Park. Or Memphis. But I needed a soundtrack. Instead it’s about trips to Atyrau, Kazakhstan and Perth, Australia. And an unlikely connection between the two.

The very wonderful Prefab Sprout

In 2006 a customer summoned me to Kazakhstan to discuss a problem that had arisen with a product. It wasn’t easy to get there and took a couple of days as I first had to visit Oslo to get a visa. After half a day in Oslo, I flew to Amsterdam, then to Almaty in Kazakhstan. Not too far from the Chinese border. Then I flew back across the country via a couple of other small towns before landing in Atyrau. An unbelievable 18 hour trip – from Amsterdam.

I was also warned to stay awake at each airport stop, as sleeping increased the risk of stolen baggage. I arrived exhausted in Atyrau. An American, George, who worked for a very large service company, picked me up at the airport. He took me to the first of several meetings that day. They started and ended with Kevin, the scary Scots Quality Control manager. He may have been a great guy in a social context, but earlier George had told me that Kevin scared everybody, so I was wary. George was loosening me up for that first meeting.

The afternoon and evening passed in a blur of meetings. I finally got to bed around midnight after one beer and a few thin strips of pizza in a pub with George. I was starving and I don’t recall getting anything at all to eat during the day. I asked the hotel receptionist to wake me at 5 am and order a taxi to take me to the airport. But instead he woke me at 2 am and I have no clue why he did that.  Not enough English to distinguish between 5 and 2? Before I realised what time it was, I had put my head under a cold shower to wake me up. The shock of that, combined with lack of sleep and stress gave me an atrial fibrillation (for about the 20th time). Of course I felt like shit. I managed to get a couple more hours sleep and at 5 am went down to the waiting taxi. I asked the driver to take me to the nearest hospital. “Oh, you mean the clinic?” was the driver’s reply. Clinic? I got him to take me to the airport instead.

The Atyrau airport building was an unpainted wooden shack. A few uniformed guards with large-brimmed hats and about 30 other men waited for the plane to Amsterdam. There was nowhere to sit, so I stood and composed a letter of resignation to my boss (which was never delivered). On arrival in Amsterdam, my crawling pace between the terminals felt endless. But I didn’t dare ask for help as I suspected they wouldn’t let me travel if they knew I was unwell. I wanted to get home. A few hours later a taxi picked me up at Arlanda airport in Stockholm and the driver dropped me at the hospital in Gävle. Close enough. I spent a total of 15 mind-boggling hours in Atyrau.

Knut the koala.

My tour of Australia in 2010 was a little longer: 12 days split between Melbourne, Adelaide and Perth. One of the companies I visited in Perth was the same as George’s that I’d visited with in Kazakhstan. Nothing strange about that. They have more than 100 000 employees, spread thinly around the globe. The guy my colleague and I were to see was not keen on seeing us at all as he’d heard about our little problem in Kazakhstan. But what he didn’t know was how we solved it. So I spent an hour dropping names (scary Kevin, his brother Ben, Scott, George and a couple of others). I explained exactly how we turned it around. I had every detail on my laptop and he knew, or had heard of all the people I mentioned. Finally, instead of throwing us out, which was his first thought, he gave us a healthy order for goods he needed. It was quite satisfying, a revenge of sorts and the cherry on top of my one and only Australia visit. And the order paid for both trips.

22. 96 tears

Two songs and a whole album had such an emotional impact on me in the last 10 years that tears rolled down my cheeks. Music from three different decades, totally different genres and definitely favourites from these three artists.

The voice of Mary J. Blige

One of Bono’s best songs, “One”, showed up on the 1991 U2 album “Achtung Baby”, but the song reached a whole new emotional level when Mary J. Blige lent her voice to U2’s backing track fifteen years later. I was totally stunned when I heard it for the first time on the radio, though it wasn’t played much at all in Sweden it seems. I loved U2’s version too, but Mary’s singing transcended Bono’s and gave it a whole new dimension. I’ve bought many U2 albums, including “Boy”, the day after they played live on Swedish TV for the first time in 1980, but I’ve never seen them live. Bono preaching from the stage is not something I’ve ever longed for, however sincere he is, but if the opportunity to see them comes along again, I’ll go for it. I won’t hold my breath for an appearance from Mary, though.

Kate Bush

I have a pretty big garden which demands a lot of lawn-mowing and with that I have no problem at all. When I’m not immersed in my own thoughts I like to listen to an album while I’m mowing. A few years ago I reached out for the Kate Bush album “Hounds of Love” on Spotify and listened to the whole of it in my mowing bubble. I bought the vinyl album when it came out in 1985, but had never listened so intensely to the whole album on earphones as I did on that day, with the resulting flood of emotions. The intimacy you get from the lack of distractions! “Hounds of Love” is a genuine masterpiece from beginning to end from a true artist. Kate forever!

Last up, a bunch of men so utterly removed from life as we know it in Europe, that even I have difficulty understanding my connection to them: Eagles. I watched a video of a concert recorded in Melbourne from their first farewell tour and when Don Henley stepped up to the microphone to sing “Wasted Time”, something hit me right between the eyes and I was done again. Gone again. I was something of an Eagles fan in the early 70’s and bought both “Desperado” (1973) and “Hotel California” (1976) and my friends had all the others, but then along came punk/new wave and I lost all interest in the band. And never regained it, though naturally that didn’t stop me watching the video concert. So what was that about? Nostalgia? Mourning lost youth? Who knows. But what I do know is that the song is great, Henley sang it very well and I’ve always loved the timbre in his voice. And I can still listen to “Hotel California”.

What’s really weird is the vast number of songs that I’ve loved and which have affected me greatly or been an inspiration over the years, but which haven’t provoked this sort of emotional response, or anything close to it. What about all the Beatle’s stuff? Nope. This could be an interesting subject to discuss with my psychoanalyst. If I had one.